Track: Where Have You Been
Artist: Rihanna
Director: Dave Meyers
Release Date: 8th May 2012
Length of Video: 4:03
Number of shots in entire video: 165
Average length of shots: 1.47 seconds
Chosen 30 second segment: 0:47 - 1:17
Number of Shots in a 30 second segment: 21
Shot number
|
Shot type
|
Shot length
|
Description
|
Edit to next shot
|
1
|
Close
Up
|
3
seconds
|
Close
up of Rihanna
|
Fade
out
|
2
|
Mid
Shot
|
3
seconds
|
Mid
shot of Rihanna and dancers behind her
|
Straight
cut
|
3
|
Tracking
Shot
|
2
seconds
|
Showing
Rihanna and dancers
|
Straight
cut
|
4
|
Close
Up
|
1
second
|
Close
up of Rihanna
|
Straight
cut
|
5
|
Tilt
Shot
|
1
second
|
Tilts
upwards
|
Straight
cut
|
6
|
Tracking
Shot
|
2
seconds
|
Showing
Rihanna and dancers
|
Straight
cut
|
7
|
Group
Shot
|
0.5
seconds
|
Showing
dancers and Rihanna
|
Fast
Cut
|
8
|
Tracking
Shot
|
1
second
|
Moving
round the group
|
Straight
cut
|
9
|
Mid
Shot
|
1
second
|
Of
Rihanna and dancers
|
Straight
cut
|
10
|
Close
Up
|
2
seconds
|
Of
Rihanna
|
Straight
cut
|
11
|
Group
Shot
|
2
seconds
|
Of
Rihanna and dancers
|
Straight
cut
|
12
|
Mid
Shot
|
1
second
|
Of
Rihanna and dancers
|
Straight
cut
|
13
|
Close
Up
|
1.5
seconds
|
Of
3 Dancers
|
Straight
cut
|
14
|
Group
Shot
|
2
seconds
|
Rihanna
and dancers
|
Straight
cut
|
15
|
Mid
Shot
|
1.5
seconds
|
Rihanna
|
Jump
cuts
|
16
|
Extreme
Close Up
|
1
second
|
Rihanna’s
face
|
Straight
cut
|
17
|
Mid
Shot
|
1
second
|
Rihanna
|
Straight
cut
|
18
|
Tracking
Shot |
3
seconds
|
Rihanna
and dancers
|
Straight
cut
|
19
|
Mid
Shot
|
1
second
|
Rihanna
|
Straight
cut
|
20
|
Shots
20 & 21 (combined close up and group shot)
|
2
seconds
|
Split
screen of the two shots.
|
|
21
|
Within the 30 second segment there are...
Close ups: 5
Extreme close ups: 1
Long shots: 0
Mid shots: 6
Panning shots: 0
Tilts: 1
Other Shots: 8
Analysis
From this process, I have learnt about the use of different shots and the lengths of time in which they last. I have also learnt how the spead of the shots reflect the pace of the track. In 'Where Have You Been', the music's pace is fast and the length of shots, constant changes of angles and types of shots reflect this. A slow moving video with longer length shots wouldn't have worked as well with the music. I have also learnt how the wide variations in the types of shots and the order in which they are used make the video more interesting and that the use simple cut techniques rather than complex doesn't make the video any less interesting.
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